This Week in Anime
Megalo-Joe
by Jean-Karlo Lemus & Monique Thomas,
With the second season of Megalobox underway, Nicky and Jean-Karlo go back forty years to the originator, Ashita no Joe! The genre-defining series and film made its mark in the anime pop-culture consciousness and is still referenced in modern shows. Helmed by none other than Osamu Dezaki, find out why everyone's still looking forward to Tomorrow's Joe.
This movie is streaming on Retrocrush
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Spoiler Warning
for discussion of the film ahead. This column spoils the ending for a 40-year-old movie. If you haven't seen it, stop reading, go watch it, and come back!@Lossthief | @mouse_inhouse | @NickyEnchilada | @vestenet |
Ladies and gentlemen! In this corner, weighing in at 117 lbs, a classic animated film directed by Osamu Dezaki, the champion of tomorrow—Ashita no Joe~!
And in this corner, weighing in at an undisclosed amount, a pair of kids who weren't even born when this thing came out—Nickyyyy aaaaand Jean-Karlooooo~!
Today, we're covering this classic boxing series of yesteryear, Tomorrow's Joe!!
He meets up with the disgraced Danpei Tange (who I swear must have been the inspiration for Danpé the Gravekeeper in The Legend of Zelda), who sees Joe's potential. But Joe isn't really interested in being coached by a homeless drunk, so he... gets arrested for punching cops out. As you do.
He beats up dudes pretty effortlessly though, even roughing them up in the cover of night and stealing their beds after he shoved them in a bathroom closet like he was playing a level of Hitman. His cocky attitude wins him no favors and he keeps getting transferred to worse prisons.
It's only until he encounters his first true rival, Tōru Rikiishi, that Joe starts to get a real fire under his butt.
It also lines up with the idea that boxing isn't just about mindless violence. As Madame Yuko states, the ring is simply a place where these men can express themselves in a way that cements a boundary between them and their place in the world. It fosters a sense of security but also intimacy.
So Joe does what he does best: picking clandestine fights with boxers until the Association has no choice but to recognize him as a boxer!
This is also where he gets Joe's famous cross-counter!!
Again: you'd think Joe would be a plucky scrapper who wins out through sheer determination and a can-do attitude. Instead, he's just a little shit who likes to sucker-punch people bigger than he is. What is heartwarming is that through it all, Rikiishi genuinely believes in Joe's ability. The guy doesn't have a spiteful bone in his body towards Joe, and his enthusiastic desire to test the little guy would be touching if it didn't chart the tragic course for this film.
What happens next isn't exactly unprecedented either. Joe has little self-preservation and a tendency to bet his life on a gamble, and it's only a matter of time before this comes back to bite him.
After all, Danpei says it early in the film. The ring is a fucking harsh place.
So, here's the thing. Remember when I said Joe was a bantamweight? Well, Rikiishi was a Welterweight (at least 147 lbs to Joe's 117 lbs). Part of why Joe lost to Rikiishi was pure weight disadvantage—Rikiishi had at least 30 lbs on Joe. That's two whole weight classes between them, mind—Lightweight and Featherweight. So in order for Rikiishi to be able to face Joe in the ring officially, he has to lose a minimum of 30 pounds. The result is a plain hellish training regimen that Rikiishi puts himself through.
I dunno if this was as well-known when Tomorrow's Joe was first written, but uh... 30 pounds isn't the kind of weight you just lose within a month. Not without serious drawbacks, at least. So Rikiishi is just starving and dehydrating himself. It's brutal to watch.
Also note, I'm lowballing the weight loss as per the minimums for the weight classes—Rikiishi probably lost even more weight than just 30 pounds. Because what's shonen sports manga without some drastically-disastrous health advice?
Definitely one of the most harrowing scenes is the one where Rikiishi wakes up to realize he can't drink any cold water because it would supposedly poison him, only for the kind, lady-love Miss Yoko to offer him something to drink. And he refuses!!
The tide flows back and forth during the match, with neither boxer really having the edge. Rikiishi's raw skill and power are hampered by having lost an inhuman amount of weight, and Joe's abilities are just enough to match a weakened Rikiishi—barely.
This works to a degree. It lessens the damage done by Rikiishi's hits, but it really seems like Joe is about to be down for the count!
By god, if there's any part of this movie you watch, please watch this final match. It's hard to describe, but it ranges between tense, fluid, uplifting, and tragic within the span of each hit.
The combination of Rikiishi's drastic crash-diet and a concussion from the fight kills Rikiishi. Nevermind that Joe can never have a rematch, he loses his best friend. So what else can you do but just... scream?
The opening song to the movie requests that if you have to cry, then at least let your tears be manly. And this movie sure is gonna wring that out of you as we end on Joe's grieving howls as he contemplates his belated friend.
In a way, this foreshadows Joe's ultimate fate. Joe would end up dying himself in his final match; the image of his exhausted body sitting on his stool smiling—after having what he knew to be the fight of his life—has become an iconic image that has been endlessly referenced in manga and anime alike in the decades since. This was the harsh world of sports.
Who knows. Maybe this film can inspire you to reach for the championship. The view is pretty swell from the top.
Ring us out, Joe!!
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