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INTEREST: Doujinshi Artist Claims Downloads of Work Are 10-Times Higher Than Sales


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Juno016



Joined: 09 Jan 2012
Posts: 2395
PostPosted: Thu Jan 09, 2014 8:25 am Reply with quote
dtm42 wrote:
@Juno016:

Ultimately downloads don't matter though. Only so many people can attend Comiket, but a lot of doujinshi can only be bought there. So this is a case of demand outstripping supply. As long as the artist sells enough of the copies they brought to Comiket then they should be fine and still recoup a decent amount of their costs. The internet is not the market that doujinshi artists sell to, Comiket is, so artists shouldn't care what the internet does so long as they sell enough copies at Comiket.

If this bellyacher fellow had boxes and boxes of leftover copies after Comiket, but saw large amounts of downloads, then he might - just might - have something resembling a legitimate grievance. But he didn't say he had lots of unsold copies, did he? No, he did not. I highly doubt he had enough unsold copies to sell to everyone who downloaded his doujinshi. What it sounds to me like is that he is being greedy. He's also being stupid.


Forgive the hypocrisy, but it doesn't matter that it doesn't matter. No matter how unrealistic it is to think that a bunch of downloads could convert into sales, just taking a look at the numbers is highly discouraging and upsetting to the person who put the effort into making it. For one, it's not like the guy has a way of spreading his work elsewhere and the doors to open that up for a profit are pretty limited, so... you're basically looking at a number that tells you, "People are downloading things you made, but you have no way of knowing why they're downloading it or how to turn that number into profit.
I'm not saying it's ABOUT the money. It's not like his frustration is going to make him quit doing what he's doing. But the money is pretty important. If he gained enough profit to live off of, he could basically devote his life to manga/doujinshi, which is obviously a passion of his if he's in Comiket. As of the usual situation, doujinshi artists either quit after life takes their time away from their passion work or they become official. Other doujin works have a better chance of turning profit, at least.

So... yeah. A lot of people go into it with love and passion directing them, and they survive like that for a while. But reality is pretty harsh. The reality of the situation won't be turning download numbers into profits anytime soon, so the doujinshi artists shouldn't really have to pay attention to the numbers of downloads, but the moment they do, I don't see how ANYONE could not be upset. It looks almost like, "You want to be famous enough to make a living off of what you do? Well, too bad. Here's your fame. Keep doing what you do for love and passion until you're broke. We'll keep our money."
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Himeko90



Joined: 20 Nov 2013
Posts: 92
PostPosted: Thu Jan 09, 2014 8:37 am Reply with quote
Cptn_Taylor wrote:
Blanchimont wrote:

Not all doujinshi is hentai. Granted, a lot is.


You could have said, that from time to time a doujinshi comes out that isn't hentai and you would have been right on the mark. Laughing


Actually, the majority of Doujinshi IS non-pornographic. The only reason you don't believe that to the case is because the majority of the ones that get scanned, put on the internet, and get purchased by foreigners ARE pornographic.
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Retro88



Joined: 14 Aug 2011
Posts: 7
PostPosted: Thu Jan 09, 2014 8:56 am Reply with quote
I don't understand something here.
How a thief who stolen something can accuse other thiefs?

Many doujins popularity comes mostly from what kind of characters as parody they use in them, and no doujin artist holds any kind of copyright or got permission to use characters from popular anime/manga however he/she likes(aside of Touhou fandom where ZUN said that doujin artists can do whatever they want).

Since most of doujin are parody fanbooks done for fans, they should be freely distributed, and not sold, since I don't think that in doujin price there is a fee included for original owners of used characters.

In case of original creations such artists have full rights to be mad about their work being stolen and illegaly distributed, but not in case of doujin parodies of popular series.
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Cptn_Taylor



Joined: 08 Nov 2013
Posts: 925
PostPosted: Thu Jan 09, 2014 9:25 am Reply with quote
Retro88 wrote:
I don't understand something here.
How a thief who stolen something can accuse other thiefs?


Well technically speaking the doujinshi authors are not thieves. They live in an environment where the legitimate right holders have a laissez faire attitude with respect to manga made by fans for fans. Of course there are stringent limits, you can't go commercial hence why you sell these manga at comiket and other like venues in Japan. So while this particular author is doing nothing wrong, complaining about people living out of Japan and downloading his fan work is just illarious (especially when probabily all his doujinsh have sold out). I mean he's having as great disconect here. Making doujin and selling it is a privilege it is not a right. You don't make doujin to MAKE A PROFIT. If you want to make profit you produce a commercial manga with your own ideas and characters.


Quote:

Many doujins popularity comes mostly from what kind of characters as parody they use in them, and no doujin artist holds any kind of copyright or got permission to use characters from popular anime/manga however he/she likes(aside of Touhou fandom where ZUN said that doujin artists can do whatever they want).

Since most of doujin are parody fanbooks done for fans, they should be freely distributed, and not sold, since I don't think that in doujin price there is a fee included for original owners of used characters.


Right on.


Quote:

In case of original creations such artists have full rights to be mad about their work being stolen and illegaly distributed, but not in case of doujin parodies of popular series.


Exactly, the original authors are the only ones to be pissed when someone rips them off (via scanlations etc...). The only thing the doujin authors can do is stay quiet. Because in a very real sense they are leeches. So better keep it down.
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Juno016



Joined: 09 Jan 2012
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PostPosted: Thu Jan 09, 2014 9:29 am Reply with quote
Retro88 wrote:
I don't understand something here.
How a thief who stolen something can accuse other thiefs?

Many doujins popularity comes mostly from what kind of characters as parody they use in them, and no doujin artist holds any kind of copyright or got permission to use characters from popular anime/manga however he/she likes(aside of Touhou fandom where ZUN said that doujin artists can do whatever they want).

Since most of doujin are parody fanbooks done for fans, they should be freely distributed, and not sold, since I don't think that in doujin price there is a fee included for original owners of used characters.

In case of original creations such artists have full rights to be mad about their work being stolen and illegaly distributed, but not in case of doujin parodies of popular series.


This is talking legally. The way the doujinshi market works is only POSSIBLE because people are paid for these things. And lots of people in the industry COME from the doujin market. A lot of official companies started out as doujin companies. Specifically, for doujinshi (the fan comics), the cost is far too high to produce without some sort of payback. So they charge just enough money to make back the cost and maybe a little more per book. So they're not so much "making money" off of the characters they're using as they are "recovering the costs" of what they make with a little more, to help themselves out financially.

The demand for original content is too low and too risky. Without copyright-"stealing" doujinshi, comic conventions could not exist at the scale they exist today. And without charging money for each book, groups could not afford to make and release this stuff.

The most important part is that the copyright holders KNOW this. It's a healthy, important part of THEIR industry as well. There are very few people in the industry who would actively antagonize doujinshi artists or suggest that they're stealing their money because they, too, came from those same places and know how it works and that it wouldn't be possible without charging money. Unlike having someone steal one's characters and, subsequently, steal potential profits from the real stuff, the doujinshi content is more like an advertisement for the real thing, if not something that keeps the real thing relevant, even when the market on the real thing dips. On the other hand, downloads, while potentially possible for someone to use as indirect advertisement, are also used by people who don't want to purchase the real thing, but would if they had no other choice. You can consider both a "thief," but they're too fundamentally different to compare enough for hypocrisy to truly take place.

In other words, yes, it is illegal. Yes, people CAN and HAVE gotten in trouble for it at the whims of copyright holders who actually pursued some kind of legal action against them (because they strayed too far into actual theft of IP or sold their stuff in real markets). But there's already an unwritten agreement that as long as someone doesn't take it too far and they keep their content separate and secluded from the real stuff (by both style and market), they have every unwritten right to make money off their derivative works.
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roxybudgy



Joined: 10 Sep 2004
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Location: Western Australia
PostPosted: Thu Jan 09, 2014 10:57 am Reply with quote
I reckon that those who download doujinshi off the Internet probably would not pay for it even if someone knocked on their door with copies in their hand and asked them to buy it.

Whether it's doujinshi or the latest blockbuster movie, people will download it off the Internet simply because they can. And in a hypothetical world where illegal downloads are not available, those that would have downloaded it won't necessarily pay for it. If fansubs were to magically become non-existent, I wouldn't be rushing off to buy DVDs, instead I would just find another source of free entertainment.

Some of us will make lame excuses like "It's not available legally online", or "None of my local book stores have it", or "It's not available in Esperanto", or "It's too expensive", while these may be legitimate concerns, in the end, we download stuff because we can.

The artists would be delusional to think that each download is a lost sale.
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DaftPhunk



Joined: 28 Jun 2013
Posts: 14
PostPosted: Thu Jan 09, 2014 11:01 am Reply with quote
dan9999 wrote:
yu3lora wrote:
This is one of the reason why I quit my dream as a comic artist. Rolling Eyes Still, theirs more opportunity their for the artists like, autocad, graphic artist or web design. All you need is determination and hard work. Wink


You did the right thing, if your dream was more to make big bucks than passion than love to draw, then money as a consequence but not the main drive, then you made the right choice instead of later complaining and whining like most of today's supposed "artists", this includes musicians, singers, painters, etc.

There is a reason why in the past and even immediate past, we had such great artists, there was sincere love, passion for what they loved, if they made money great if not it was never enough reason to quit their dream, most of the greatest artists of all time in different mediums were poor and it was never about making money or quitting, that is why now their love and dedication has granted them "IMMORTALITY" and they will be forever remembered.

Many of today's artists are made of cheap plastic, including those that do make their dream come true: be famous and rich.

Creating something out of love and wanting monetary gain (or even hoping for "fame and richness") isn't mutually exclusive. Love is great and all but god forbid they equally want to eat and pay their bills! It's honestly crazy that people would rather see artists starve themselves to death for the sake of entertaining their haughty selves and reprimand any artist who dares talk about the deserved monetary gain for their work.
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dtm42



Joined: 05 Feb 2008
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PostPosted: Thu Jan 09, 2014 12:57 pm Reply with quote
Juno016 wrote:
Forgive the hypocrisy, but it doesn't matter that it doesn't matter.


And it doesn't matter that it doesn't matter that it doesn't matter.

Wait, that's a bit convoluted.

So I'll just say that I think you're flat-out wrong. Downloads only matter if you personally let them matter to you; they aren't intrinsically important.

Juno016 wrote:
No matter how unrealistic it is to think that a bunch of downloads could convert into sales...


There will always be people who refuse to pay for anything. But at the same time there will always be people who would've bought your stuff but couldn't go to Comiket, or who did attend but simply didn't notice your circle. If the internet didn't exist then the artist wouldn't have gotten their money anyway, so it doesn't matter that they didn't buy your stuff.

The internet caters towards those people who wouldn't have bought your product anyway. Yet it's also a great marketing tool, capable of introducing someone to a circle they may never otherwise have known about.

Juno016 wrote:
...just taking a look at the numbers is highly discouraging and upsetting to the person who put the effort into making it.


He should be proud, honoured and excited, just as the original creator of the franchise that the doujinshi artist "borrowed" from should be. It's proof that he wrote a good manga that lots of people want to read.

Juno016 wrote:
For one, it's not like the guy has a way of spreading his work elsewhere...


Of course he does. There is no law of the universe which states that Comiket is the only place a person can sell doujinshi for crying out loud.

Juno016 wrote:
...and the doors to open that up for a profit are pretty limited, so...


I thought it wasn't about profit? I thought it was about the love of the franchise, the love of creating manga, and merely making some of your costs back? The crowds that attend Comiket should be more than enough to do that. As I said before, he didn't complain about having too much unsold stock, which makes it seem likely that he's just being greedy.

Juno016 wrote:
...you're basically looking at a number that tells you, "People are downloading things you made, but you have no way of knowing why they're downloading it or how to turn that number into profit.
I'm not saying it's ABOUT the money. It's not like his frustration is going to make him quit doing what he's doing. But the money is pretty important. If he gained enough profit to live off of, he could basically devote his life to manga/doujinshi, which is obviously a passion of his if he's in Comiket. As of the usual situation, doujinshi artists either quit after life takes their time away from their passion work or they become official. Other doujin works have a better chance of turning profit, at least.


You say it ain't about the money, then write a paragraph about why it is about the money. Okaaay.

If he wants to be a professional manga artist then he should make his own original stuff instead of doujinshi. It seems incredible that you'd think that a person should have a right to make a living from ripping off someone else's work.

Juno016 wrote:
So... yeah. A lot of people go into it with love and passion directing them, and they survive like that for a while. But reality is pretty harsh. The reality of the situation won't be turning download numbers into profits anytime soon, so the doujinshi artists shouldn't really have to pay attention to the numbers of downloads, but the moment they do, I don't see how ANYONE could not be upset. It looks almost like, "You want to be famous enough to make a living off of what you do? Well, too bad. Here's your fame. Keep doing what you do for love and passion until you're broke. We'll keep our money."


facepalm.jpg

Only an incredibly tiny minority of people get to turn their skills at making doujinshi into an actual career. For every success story like CLAMP there's thousands of wannabes whiling away with little financial reward, and that was true even before the internet, so you can't blame it on torrents. Anyone who gets into the fandom thinking that they'll be able to make doujinshi professionally - as in a fulltime job - is crazy; the odds are too heavily stacked against them. If they are lucky and very talented then they might be able to turn pro but most will not. And therefore anyone who does want to make doujinshi should realise that it isn't going to be a profit-making venture. They make their doujinshi not because it will bring them money but because they want to make and share it. Because they love their fandom and creating something that other people will enjoy. And if they have to work for months in their tiny drafty apartment eating cup ramen, then so be it. They chose that lifestyle after all, knowing full well that expecting a career out of it is folly.
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VORTIA
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Joined: 26 Jul 2005
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PostPosted: Thu Jan 09, 2014 1:15 pm Reply with quote
Himeko90 wrote:

Actually, the majority of Doujinshi IS non-pornographic. The only reason you don't believe that to the case is because the majority of the ones that get scanned, put on the internet, and get purchased by foreigners ARE pornographic.


Are we talking most in titles, or most print volumes? If we're discussing the former, then sure. If we're discussing the latter, I'm incredulous. In my admittedly limited experience, the print-runs for ero-doujin seem to dwarf those of any other type, probably because they get the best sales, for obvious reasons.
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Juno016



Joined: 09 Jan 2012
Posts: 2395
PostPosted: Thu Jan 09, 2014 2:56 pm Reply with quote
dtm42 wrote:
And it doesn't matter that it doesn't matter that it doesn't matter.

Wait, that's a bit convoluted.

So I'll just say that I think you're flat-out wrong. Downloads only matter if you personally let them matter to you; they aren't intrinsically important.


And I'm saying YOU'RE RIGHT. But they matter to him because he's the artist whose work is in question. And he has every right to be concerned, whether or not his concerns are realistic. He obviously doesn't see it the way we do. Nothing about downloads has been proven because there isn't a way to prove actual numbers. He's not stupid. Just upset and voicing his view. I'm saying it's fine for him to do so and that we should at least understand where he's coming from instead of complaining that he's complaining. We're not in his shoes, so we don't really have much of a say in what he wishes to do with his work.

Quote:
He should be proud, honoured and excited, just as the original creator of the franchise that the doujinshi artist "borrowed" from should be. It's proof that he wrote a good manga that lots of people want to read.


I'm sure he's honored and proud that his work is being read, but it's hard to come to terms with the fact that your hard work is appreciated, yet you're still not making barely anything off of it. It takes a heck of a long time to make a doujinshi. If knowing that people loved your work was enough to satisfy anyone, then our human race would be a LOT better off than it is now.

Quote:
Of course he does. There is no law of the universe which states that Comiket is the only place a person can sell doujinshi for crying out loud.


But there ARE laws in place that prevent this. Seriously. You cannot sell them at 1st party retail stores that sell manga that involve the original work because then it would be considered competing with the original work. 3rd party retailers usually never take original copies of a doujinshi because they complicate their business model and leave them liable (they are able to take resells, however, though resells are usually only taken for free). The only original copies they do take are usually hidden in the back, where they're never found unless you're specifically looking for them, and those are usually just given to the store either as extra copies or sold for a small price by a company willing to take the fall if something comes up. And selling doujinshi online is a really complicated process and most online copies are being re-sold by 3rd party sellers anyway. Doujinshi artists who put their work up on actual 1st-party doujinshi shops online end up paying a good fortune for their listings on those sites simply because the sites know they can charge it and still get their profit, too. The original artist rarely has any say in this, which is why comic markets have been so popular and frequent. They allow the artist to have full control over their own work.

Quote:
I thought it wasn't about profit? I thought it was about the love of the franchise, the love of creating manga, and merely making some of your costs back? The crowds that attend Comiket should be more than enough to do that. As I said before, he didn't complain about having too much unsold stock, which makes it seem likely that he's just being greedy.


But it's not just the costs of supplies and printing and binding. It's also the fact that he could've been making money elsewhere, but he chose to spend his time with doujinshi. Or he did have another job, but all of his free time was spent on the doujinshi. And so on. He most definitely knows that he's not in it for the profits, but he probably also knows that EVERY BIT OF PROFIT COUNTS.Aand that's why it's concerning when he may not be getting all the sales he could have--or at least, it looks that way to him.

Quote:
If he wants to be a professional manga artist then he should make his own original stuff instead of doujinshi. It seems incredible that you'd think that a person should have a right to make a living from ripping off someone else's work.


He's not ripping pictures of characters he doesn't own and slapping them onto stickers and selling them. He's creating things from scratch and just warping it to look and somewhat feel like the characters the fans are familiar with as he sees it (at least, I would assume so). That's how you draw a doujinshi. Unless he's tracing things and blatantly copying things, I'd say that the majority of the actual work put into the piece is his. It's just that the focus of the fans who buy it are most likely going to be the characters.

Quote:
facepalm.jpg

Only an incredibly tiny minority of people get to turn their skills at making doujinshi into an actual career. For every success story like CLAMP there's thousands of wannabes whiling away with little financial reward, and that was true even before the internet, so you can't blame it on torrents. Anyone who gets into the fandom thinking that they'll be able to make doujinshi professionally - as in a fulltime job - is crazy; the odds are too heavily stacked against them. If they are lucky and very talented then they might be able to turn pro but most will not. And therefore anyone who does want to make doujinshi should realise that it isn't going to be a profit-making venture. They make their doujinshi not because it will bring them money but because they want to make and share it. Because they love their fandom and creating something that other people will enjoy. And if they have to work for months in their tiny drafty apartment eating cup ramen, then so be it. They chose that lifestyle after all, knowing full well that expecting a career out of it is folly.


"...should realize..." <-- I'm sure that's what they go into it understanding (hopefully). They think, "I can do this because I have the passion and love for it!" And then life nips them in the butt. Surely, I don't think it's a very promising career path (ha...). But a lot of them go into it ALSO thinking, "You can't become one if you don't try." Doujinshi is, believe it or not, a viable way to build a portfolio. It is not the only way, but it is a good one. At least, it's better than many of the alternates. But you surely can't blame a single person for being upset when it's not what they hoped it to be. Whether they have themselves to blame or not, covering up their despairs is the last thing they should do.

I'm not saying that these artists are right when they complain. In the first place, I don't believe in a "right" or "wrong" in these situations. I'm saying that they have every human right to complain when their hard work is taken advantage of in a way that concerns them. Because that's what humans are designed to do to get things off their chest. Especially if they can cry it to the world and either gain sympathy or make some people re-consider purchasing the work after they downloaded it. So let them be. Understand where they're coming from, even if you don't agree with it. You're not them.
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DaftPhunk



Joined: 28 Jun 2013
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PostPosted: Thu Jan 09, 2014 3:41 pm Reply with quote
dtm42 wrote:
He should be proud, honoured and excited, just as the original creator of the franchise that the doujinshi artist "borrowed" from should be. It's proof that he wrote a good manga that lots of people want to read.

Much like how someone should feel proud and honored that they got raped, because the offender found them attractive? The situations are not the same at all, but the idea of suppressing someone's clear disdain through egocentric justification is alike.

I just wish people would stop parroting this nonsense on how the artists themselves should feel when their work is consumed through piracy. How you and others consume the artist's work is your business, but stop trying to stifle the artist's complaints in the pretext that piracy is entirely and only wholesome.
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VORTIA
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Joined: 26 Jul 2005
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PostPosted: Thu Jan 09, 2014 5:53 pm Reply with quote
Just a suggestion: you might want to avoid comparing illegal downloads to rape. No matter how rational your argument, it's going to get ignored because your statement sounds hysterically disproportionate. You might as well have dropped a Godwin.
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relyat08



Joined: 20 Mar 2013
Posts: 4125
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PostPosted: Thu Jan 09, 2014 6:02 pm Reply with quote
VORTIA wrote:
Just a suggestion: you might want to avoid comparing illegal downloads to rape. No matter how rational your argument, it's going to get ignored because your statement sounds hysterically disproportionate. You might as well have dropped a Godwin.


I didn't ignore the point, though maybe molestation would be a better comparison.
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Aquasakura



Joined: 01 Jan 2014
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PostPosted: Thu Jan 09, 2014 6:33 pm Reply with quote
Juno016 wrote:
If they did not get proper compensation for their work and the cost of production in sales (many groups do not--and they do it more because they simply want to... others do it because it's a good bridge into the industry... and others do it because they want to make a living off of their hard work and passion), then you can bet they'd likely have stopped long ago.


First of all. Nice points you made. Secondly, The first two reason for people making fan comics I can understand, but I still don’t trust doing this as a living. It should be more of side thing/hobby, but is there really a way you can make a living by making fan comics?

Juno016 wrote:

But every ounce of actual physical work put into the stories most of the time are original. Sometimes, they're so strangely different from the derived work, it's conceptually possible to replace the characters in the story with characters from any other series, including original characters. And sometimes, these doujinshi are, frankly, intense and well-written. Sometimes more so than the derived work. And the artist/author of the doujinshi is surely the one who made that possible.


So it’s like the case with 50 Shades of Grey by E. L. James which started off as a Twilight fanfic. Also this brings me back to the time I read a pokémon fan fiction that I thought was well written (for the most part) then the actual show its base on.

Juno016 wrote:

People who read doujinshi aren't doing so to throw the money they'd spend on the original work into something else. They're usually reading doujinshi to see expansions of the work beyond the original creator's intent. To see possibilities not actually possible. And unlike typing up fanfiction, the costs of making doujinshi are much higher--especially when printed. So I can most definitely see the woes of artists who feel that they're fighting a losing battle against a foe they can't even touch.


You are right about that, and loosing those sells to downloads would be a problem to them. However this isn’t an easy matter as you imply, and there is still consideration of people who couldn’t make the event who might have wanted to buy their books.

dan9999 wrote:

Again this BS...

Anyone know how long it took until ignorant people and industries stopped saying video tapes were killing movies or radio was killing music?


Just never pointed this out before. I never heard of this of this tid bit of history. Kind of interesting.
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dtm42



Joined: 05 Feb 2008
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PostPosted: Thu Jan 09, 2014 7:01 pm Reply with quote
Tempted to reply to Juno016 but I really have said all that I can. It's clear neither of us are going to budge.

VORTIA wrote:
Just a suggestion: you might want to avoid comparing illegal downloads to rape. No matter how rational your argument, it's going to get ignored because your statement sounds hysterically disproportionate. You might as well have dropped a Godwin.


His argument wasn't rational, and comparing something to rape is like dropping a nuclear bomb 'round these parts. There's no way I'm touching his toxic post even with a ten foot pole.
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