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Review

by Kim Morrissy,

Laid-Back Camp Movie

Synopsis:
Laid-Back Camp Movie

The film depicts Nadeshiko and the others, now grown-up, after some time has passed since the television anime. Rin, who now works at a small publisher in Nagoya, gets a text message from Chiaki. Yamanashi's tourism promotion organization has put Chiaki in charge of reopening a site that had closed several years ago. Upon hearing this, Rin suggests such a spacious site could be turned into a campsite. Chiaki and Rin reunite with Nadeshiko, Aoi, and Ena to launch the campsite development project.

The five assemble in work clothes to mow the grass, hold planning meetings, and build a campsite from square one, in scenes reminiscent of their club days in high school.

Review:

I wouldn't be exaggerating if I called Laid-Back Camp the best atmospheric slice-of-life TV anime, period. There's just something entrancing about the show and the way it portrays the quiet beauty of the outdoors. The film serves up an extra generous helping of mellow adventures with this two-hour installment, which is great for anyone who wants to see more of the characters, although it might also perhaps be too much of a good thing.

As a story, Laid-Back Camp's tempo works best in relaxing 20-minute chunks. Because it typically structures its episodes around the buildup to a key, scenic shot, there's always a sense of rising and falling action in even its most mundane scenes. That kind of episodic structure doesn't translate perfectly well to a film, which by necessity requires a bigger climax and a longer, more drawn-out plot. Here, the simple story risks becoming dull instead of understated, and tedious instead of relaxing.

Fortunately, Laid-Back Camp's strong character writing stops this from being the case, for the most part. It's a delight to watch the characters as adults; for one thing, few series in this genre allow their characters to grow up past schooling age. But mostly, despite the initial change of pace, the girls are unchanged at their core. Adult responsibilities play a big part in the film, but this is never equated with a loss of passion. Even the narrative's biggest emotional blow is buoyed by scenes where the characters quietly appreciate what's in their lives. The film could have ended with the characters not achieving their goal and it wouldn't have felt like an unhappy ending.

Predictably, the atmosphere in Laid-Back Camp continues to be second to none; it is always, always careful never to overstate the picturesque quality of the images or linger overlong on its scenic shots. The background art is obviously beautiful in isolation—there's a wonderful polish in the compositing that makes the images transcend the confines of a static photograph—but director Yoshiaki Kyougoku also keenly understands that the beauty of the moment is within the culmination of character, art, music, script, and sound direction. In this department, I didn't spot any struggle in adapting the appeal of Laid-Back Camp to film.

Even so, I can't deny that the film does run a bit too long to be consistently engaging throughout the entire runtime. It's not as if movies need to have complex or riveting plots, but at the same time it's hard to sell two hours of just pure vibes. While individual Laid-Back Camp episodes feel like they go by in a flash, it's also the kind of show that's difficult to marathon. I appreciated it best as a pick-me-up whenever I needed something to quickly put me in a relaxed mood, but I was never able to watch more than two episodes at a time. Of course, if you're the kind of fan who can eagerly watch half a season's worth of material in one sitting, then feel free to ignore this angle of criticism entirely.

At the end of the day, Laid-Back Camp is exactly the kind of film fans can expect of a series famous for its comfy vibes. The aged-up characters and themes do prevent this film from coming across as just a mere extension of the TV series, but ultimately the series' formula for success hasn't changed. Which is a good thing—why fix what isn't broken? It's also a reminder that even after people have grown up and moved their separate ways, camping trips are a delightful way of staying connected with friends and the local community. Given that most campers are adults, it's very possible that the film will resonate even more than the TV series for this precise reason. Needless to say, it's not in the "skippable" category of anime franchise films.

Grade:
Overall : B
Story : B-
Animation : B+
Art : A
Music : B+

+ Nuanced and understated writing and presentation, thoughtful exploration of adult responsibilities
Runs a little too long given the plot's simplicity

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Production Info:
Director: Yoshiaki Kyougoku
Screenplay:
Mutsumi Ito
Jin Tanaka
Storyboard:
Kagetoshi Asano
Hiromitsu Kanazawa
Shinya Kawatsura
Masayuki Kurosawa
Yoshiaki Kyougoku
Yūta Takamura
Masafumi Tamura
Yoshimitsu Yamashita
Unit Director:
Kagetoshi Asano
Noriko Hashimoto
Shingo Kaneko
Shinya Kawatsura
Yoshiaki Kyougoku
Yayoi Takano
Masafumi Tamura
Music: Akiyuki Tateyama
Original creator: Afro
Character Design: Mutsumi Sasaki
Art Director: Yoshimi Umino
Chief Animation Director:
Mutsumi Sasaki
Asami Watanabe
Animation Director:
Asumi Adachi
Kana Aizawa
Daisuke Endō
Miho Imoto
Shōshi Ishikawa
Emiri Kanauchi
Senri Kiriyama
Ritsuko Kondō
Tomoaki Mimiura
Megumi Noda
Yuki Sawairi
Michiko Takahashi
Yayoi Takano
Noriko Tsutsumiya
Ryūta Ura
Asami Watanabe
Yuna Watanabe
Yoshimitsu Yamashita
Masaru Yoshioka
Mechanical design:
Daisuke Endō
Hajime Maruo
Sound Director: Takeshi Takadera
Director of Photography: Hiroaki Tanaka

Full encyclopedia details about
Laid-Back Camp The Movie (movie)

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